Simon Dybbroe Møller
1976 Born in Aarhus (DK)
Lives and works in Berlin
EDUCATION
2001-05 Staatliche Hochschule fuer bildende Kunste, Staedelschule, Frankfurt am Main
1999-01 Kunstakademie Duesseldorf, Germany
1998 k.u.b.a., fine art photograph, Copenhagen, Denmark
AWARDS AND SCHOLARSHIPS
2009 Villa Auora, Los Angeles, USA
2008-09 Ars Viva Preis des Kulturkkreises der deutschen Wirtschaft im BDI
2007-08 Scholarship by order of the government of Hessen for New York
2006 Villa Romana, Florence
2005 Absolventenpreis Städelschule, Förderpreis fuer Bildende Kunst der Bundesministerin fur Bildung und Forschung
2004 Best Freestyle Stand, Art Forum Berlin, Germany
SOLO EXHIBITIONS
2014
The Shrink, Shanaynay, Paris
Aperture & Orifice, Galerie Kamm, Berlin
2013
Swallow Swallow Spit, Laura Bartlett Gallery, London
Stewism, curated by Chris Sharp, Lulu, Mexico City
Männer und Moral, Objectif Exhibitions, Antwerp
2002, Andersen’s Contemporary, Copenhagen
2012
Remember Me, Hyundai Gallery, Seoul, Corea
2011
Hello, cur. by Adrienne Drake, Fondazione Giuliani, Rome
O, Francesca Minini, Milan, Italy
The Nightmare of Reason, C1, Kunsthalle Göppingen, Germany
Rest On Your Belly In The Mud, Laura Bartlett Gallery, London
Flotsam and Jetsam, Badischer Kunstverein (with Jacob Dahl Jürgensen), Karlsruhe
2010
BRAIN / UMMA projects, Ann Arbor, Michigan, USA
The Whole of it, Andersen s Contemporary, Copenhagen
Fast Flickering Black Bugs On A Cool White Background, Galerie Kamm, Berlin
The Demon of Noontide, Harris Liebermann, New York
2009
Flotsam and Jetsam, Nicolas Kupp (with Jacob Dahl Jürgensen), Basel
Kompendium, Kunstverein, Frankfurt am Main, Germany
Appendix, Frankfurter Kunstverein, Frankfurt am Main, Germany
2008
Not Nature Near, Francesca Minini, Milan
Here We Stand, Lost In Wonder, Harris Lieberman (with Bernd Ribbeck), New York
2007
real decent golden jumper, Dependance (with Lisa Jugert), Brussels
Like Origami Gone Wrong, Kunstmuseum Thun, Thun
On ill winds and loss of sanity, part II, Galerie Kamm, Berlin
Like Origami Gone Wrong, Aarhus Kunstbygning, Aarhus, Germany
On ill winds and loss of sanity, part I | westlondonprojects, London
2006
Letter from the new world to the old world, Künstlerhaus Bremen, Bremen, Germany
All yesterday’s parties, Art Basel Statements, Galerie Kamm
The view, the show, the word and the architect, Neuer Aachener Kunstverein, Aachen, Germany
2005
A journey from black to white through the vast desert of entropic grey, Studiogalerie, Kunstverein Braunschweig
FLACA, London
Ufarlige Historier, Sies + Höke Galerie, Düsseldorf, Germany
2004
ABABCB, Galerie Kamm, Berlin
Art Forum Berlin, Galerie Kamm, Berlin
Incomplete Tales, Schnittraum, Köln, Germany
2003
Fresh and Upcoming, project space, Frankfurter Kunstverein, Frankfurt, Main, Germany
GROUP EXHIBITIONS (SELECTED)
2015
Group Show, Albert Baronian, Brussels
21er Haus, Vienna
Les Regles du Jeu, Centre Pompidou
Checkpoint California, DB Kunsthalle, Berlin
2014
Bikuben / Utah Museum of Contemporary Art, Utah
Stranger, MOCA- Museum of Contemporary Art Cleveland, US
Superficial Hygiene, with Nina Beier, De Hallen Haarlemm, Haarlem
Le Nouveau Festival, Centre Pompidou, Paris
Apples & Pears, Curated by James Clarkson, Drei, Cologne
2013
0 Performance – The Fragile Beauty of Crisis, Collaboration Nina Beier & Simon Dybbroe Moller, 5th Moscow Biennale of Contemporary Art, Moscow
Nur was nicht ist ist möglich, Museum Folkwang, Essen, Germany
Amsterdamer Schützengilde, Kunstsaele Berlin, Berlin
I knOw yoU, IMMA – Irish Museum of Modern Art, Dublin
Contemplating Death, Goethe Institute, Moscow, Russia
six memos for the next …, Magazin4 – Bregenzer Kunstverein, Bregenz
I Wish This Was a Song, Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg
When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit (MOCAD), Detroit
Nur Hier, Sammlung Zeitgenössischer Kunst Der Bundesrepublik Deutschland, Bonn
2012
East, Vier Räume aus der Sammlung Schürmann | Kunstsaele, Berlin
Castle in the Air, Zamek Castle, Poznan, Poland
Coquilles Mécaniques, cur. by Joanna Fiduccia, CRAC Alsace – Centre Rhénan d’Art Contemporain, Altkirch, Germany
BUSY: Exhausted self/ unlimited ability, 21er-Haus, Vienna
Re-Opening, Deweer Gallery, Otegem, Belgium
I Wish This Was a Song, The National Museum of Art, Oslo
Treffpunkt Berlin, Arken Museum of Modern Art, Copenhagen
An Incomplete History of Incomplete Works of Art, curated by Adam Carr,Francesca Minini, Milan
When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, CCA Wattis, San Francisco
Prospectif Cinéma, Screening, Centre Pompidou, Paris
Wir sind alle Astronauten – Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst, Zeppelin Museum, Friedrichshafen, Germany
2011
Danse sa vie – Dance your life, Centre Pompidou, Paris
Berlin 2000 – 2011, Museum of Contemporary Art Tokyo, Tokyo
Art Gallery of Alberta, Edmont, Alberta, Canada
All around zero – a small celebration of loss, curated by Stefan Burger, ReMap 3, Athens
Up North, Art Gallery of Alberta, Alberta, Canada
A Slowdown at the Museum, Extra City – Kunsthal, Antwerp
Momentum 2011 – 6th Nordic Biennial for Contemporary Art, Moss, Norway
MMK 1991-2011: 20 Years of Presence, MMK Museum für Moderne Kunst, Frankfurt
Rudolf Steiner and Contemporary Art, DOX Centre for Contemporary Art, Prague
Wir sind alle Astronauten – Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst, MARTa Herford, Herford
Based in Berlin, Nationalgalerie im Hamburger Bahnhof, Berlin
A painting show, curated by Aaron Moulton, Auto Center, Berlin
Radical Autonomy 2, Netwerk, Aalst, Belgium
Anima, Linguaggio, Malinconia, Informazione, GAM, Turin
The Activity of Sound, curated by Florian Christopher Seedorf, Grieder Contemporary, Berlin
The Cosmos of Rudolf Steiner, Kunstmuseum Stuttgart, Germany
January White Sale, curated by Beth Rudin DeWoody, Loretta Howard Gallery, New York
2010
A Never Ending Tory, curated by Chris Sharp, Edmonton, Canada
15 Jahre Villa Aurora – Transatlantische Impulse 2005-2010, curated by Sabrina van der Ley and Markus Richter, Akademie der Künste, Berlin
Double Take, Statens Museum for Kunst, Copenhagen
Armitage Gone Dance Exquisite Corpse Project, cur. by David Salle, Klemens Gasser & Tanja Gruner Inc., New York
Prendre la porte et faire le mur, cur. by Florence Ostende, FRAC Provence-Alpes Cote d’Azur, Marseille, France
Gesehen und Geliebt # 4: Besser leben mit…, Museum Ludwig, Cologne, Germany
Yesterday will be better, Aargauer Kunsthaus, Aargau, Germany
Mutiny seemed a probability, Fondazione Giuliani, Rome
Ce n est pas une image juste, c est juste une image, IMO Projects, Copenhagen
Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Untitled (In Which the Wind is a Protagonist), curated by Chris Sharp, La Générale, Paris
Düsseldorf, curated By Shila Katami, The Forgotten Bar, Berlin
The Zero Budget Biennial, curated by Joanna Fiduccia and Chris Sharp, Rockeby, London
The Zero Budget Biennial, curated by Joanna Fiduccia and Chris Sharp, Klemm’s, Berlin
The Zero Budget Biennial, curated by Joanna Fiduccia and Chris Sharp, Pianissimo, Milan
Bilder in Bewegung – Künstler & Video / Film 1958 – 2010, Museum Ludwig, Cologne, Germany
Tracing the Invisible, Schloss Ringenberg, Hamminkeln, Germany
The Berlin Box, Kunsthalle Andratx / CCA, Mallorca, Spain
Düsseldorf, the forgotten bar, Berlin, Germany
And so on, and so on, and so on…, Harris Lieberman, New York
2009
Radical Autonomy, Le Grand Café, Saint Nazaire, France
The World is Yours, Louisiana Museum of Modern Art, Humbelaek, Denmark
The Zero Budget Biennial, curated by Joanna Fiduccia and Chris Sharp, Schleicher + Lange and Carlos Cardenas Galerie, Paris
Andersen’s Contemporary, Copenhagen
ars viva 08/09 – Inszenierung / Mise en scène, Augarten Contemporary, Vienna
The young people who visit our ruins see only a style, cur. by FormContent , GAM, Torino, Canada
My Summer Group Show, Gallery Lelong, New York
ars viva 08/09 – Inszenierung / Mise en scène, Museum Abteiberg, Mönchengladbach, Germany
A Twilight Art, Harris Lieberman, New York
Still Moving Still, Cultuurcentrum Knokke-Heist, Knokke, Belgium
Time after Time, Galerie Kamm, Berlin, Germany
2008
Are you alright? You look so Orange?, Galerie Erik Steen, Oslo
T2 50 Moons of Satum, curated by Daniel Birnbaum, Torino Triennial, Torino
Enter, Brandts Kunsthallen, Odense, Denmark
ars viva 08/09 – Inszenierung / Mise en scène | Museum im Kulturspeicher, Würzburg, Germany
All the Best, Gallery one one one, London
Megastructure Reloaded, cur. by Sabrina von der Ley & Markus Richter, Ehemalige Staatliche, Münze, Berlin
Videoprogramm, cur. by Astrid Mania, Brandenburgischer Kunstverein Potsdam, Potsdam, Germany
Grabbing at Straws, Studio Guenzani, Milan
Martian Museum of Terrestrial Art, curated by Francesco Manacorda, Barbican Gallery, London
Fusion//Confusion, Museum Folkwang, Essen, Germany
2007
Been Up So Long It Looks Like Down To Me, Presentation House Gallery, Vancouver, Canada
In the Stream of Life, Betonsalon Paris, Paris
Into It, Kunstverein Hildesheim, Hildesheim, Germany
The Dark Side of the Moon, Karma International, Zurich, Switzerland
Neuer Konstruktivismus, Bielefelder Kunstverein, Bielefeld, Germany
Lewis Glucksman Gallery, Cork, Ireland
Made in Germany, Kunstverein Hannover, Germany
Kirkhoff Contemporary Art, Copenhagen
The new domestic landscape 2007, kjubh Kunstverein e.V., Köln, Germany
9 or 10 works I used to like, in no order, cur. by Luca Lo Pinto, Monitor, Rome
Our affects fly out of the field of human reality, Galerie Sandra Bürgel, Berlin
Das Kapital – Blue Chips & Masterpieces, Museum für Moderne Kunst, Frankfurt / Main, Germany
2006
Deep into that darkness peering, Galerie Kamm, Berlin
Was Wäre Wenn #6 – Für die Ewigkeit, Jet, Berlin
I’m Yours Now, Sikkema Jenkins & Co, New York
The known and the unknown, Galleri Nicolai Wallner, Copenhagen
Irrational thoughts should be followed logically, Elizabeth Dee Gallery, New York
Problems on the way to the modern world, Galerie Kamm, Berlin, GermanyThe World State, Erik Steen Gallery, Oslo
Fantom, curated by Søren Andreasen and Jesper Rasmussen, Charlottenborg, Copenhagen
2005
Galerie Reinhard Hauff, Stuttgart Lichtkunst aus Kunstlicht, Museum für Neue Kunst, ZKM, Karlsruhe, Germany
John Taylor: Imagination of Things Imaginable, Galerie Christian Nagel, Berlin
Not a drop but the fall, Künstlerhaus Bremen
Celebration, Halle für Kunst, Lüneburg, Germany
Post Notes, Midway Contemporary Art, Minneapolis, USA
Shadow Play, Kunsthallen Brandts Klædefabrik, Odense und Kunsthallen zu Kiel, Germany
Kunststudentinnen und Kunststudenten stellen aus, Kunst – und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
Irrational thoughts should be followed logically, cur. by Philllip Ziegler, Galerie Reinhard Hauff, Stuttgart, Germany
The Imaginary Number, cur. by Anselm Franke, KW – Institute for Contemporary Art, Berlin
Kunstverein Marburg, Marburg, Germany
2004
Kurzdavordanach, Sammlung Schürmann, SK-Stiftung, Photographische Sammlung, Cologne, Germany
Welt national, Trienale für zeitgenössische Kunst Oberschwaben, Kloster Weingarten, Germany
Portal III, curated by Birgit Eusterschulte, Kunsthalle Fridericianum, Kassel, Germany
Black Friday, org. by Christoph Keller/Revolver, Galerie Kamm, Berlin
Things to come, curated by Jacob Dahl Jürgensen, Flaca Gallery, London
2003
Make It New, Portikus, Frankfurt / Main, Germany
State of the upper floor: Panorama, cur. by Michael Beutler, Kunstverein München, Munich, Germany
Transeuropa 2003, (Performance), Hildesheim
Schauraum,Stadthaus Galerie, Münster
Efterårsudstillingen, Charlottenborg, Copenhagen
2002
Utopia, Rathaus Neukölln, Berlin
Gasthof, Städelschule, Frankfurt (Performance)
Dybbroe Møller, Greenfort, Kapper Williams, Meise, Otto, Wohnung Jourdan, Vienna, Austria
Gute Stube, Wohnung Thomas Thiel, Hildesheim (Performance)
2001
Bermuda | PARCEL, Moltkerei Werkstatt, Cologne, Germany
————————-, MB Motors, London
————————-, The Royal Danish Art Academy, Copenhagen
Hin Her, Center for Meta Media, Czech. Rep.
6. Performance Congress, Bröllin (Performance)
Loveplace, Efterårsudstillingen, Charlottenborg, Copenhagen (Performance)
2000
Forårsudstillingen, Charlottenborg, Copenhagen
Karport, PARCEL, Copenhagen
1999
Young Danish Photography 2000, Fotografisk Center, Copenhagen
1998
Galleri Under Dybbøls Bro, Copenhagen
CURATORIAL PROJECTS
2014
The Shrink, Shanaynay, Paris
SCREENING
2012
Art Basel Miami Beach / Art Video, Miami Beach
Prospectif Cinema / Centre Pompidou, Paris
PUBLIC COLLECTIONS
Museum Abteiberg, Mönchengladbach, Germany
Museum Ludwig, Cologne, Germany
Stiftung Museum Kunstpalast, Düsseldorf, Germany
Bundessammlung zeitgenössischer Kunst, Bonn, Germany
GAM, Turin, Italy
Frac Nord – Pas de Calais, Dunkerque, France
Statens Museum for Kunst, Copenhagen, Denmark
EVN Collection, Vienna, Austria
CATALOGUE (SOLO)
2012
Remember Me, Gallery Hyundai Seoul, ISBN 978-89-6736-010-8
O, exh. cat. Fondazione Giuliani, Nero, Rome 2012, ISBN 978-88-97503-20-0
2009
Kompendium, exh. cat. Kunstverein Hannover and Frankfurter Kunstverein, Sternberg Press, Berlin, ISBN 978-1-933128-68-9
Black white gray cyan magenta yellow, exh. cat. Udo Kittelmann, MMK Museum für moderne Kunst, Frankfurt am Main, Verlag der Buchhandlung Walther König, Köln, ISBN 978-3-86560-571-9
2007
Simon Dybbroe Møller-Like origami gone wrong, exh. cat. Arhus Kunstbygning & Kunstmuseum Thun, jrp | ringier Kunstverlag, Berlin, ISBN 978-3-905770-33-9
A journey from black to white through the vast desert of entropic grey, exh. cat. Kunstverein Braunschweig 2005, Braunschweig, ISBN 978-3-929270-47-1
2006
Simon Dybbroe Møller – Against the sun, Diamondpaper #06, Diamondpaper Publishing, Berlin
CATALOGUE (GROUP)
2012
I Wish This was A Song – Music in Contemporary Art, exh. cat. Museum of Contemporary Art, Nasjonalmuseet Oslo, Oslo 2012, ISBN 978-82-8154-068-2
Keine Zeit –Busy. Erschöpftes Selbst / Entgrenztes Können, exh. cat. 21er Haus, Belvedere, Wien, Koeln.
2011
Berlin 2000-2011: Playing among the Ruins, exh. Cat. Tokyo Metropolitan Foundation for History and Culture, Museum of Contemporary Art Tokyo / Goethe-Institut Japan, 2011
Danser sa vie – Art et danse de 1900 à nos jours, exh. cat. Centre Pompidou, Saint-Ètienne 2011, ISBN 978-2-84426-525-8
Imagine Being Here Now, exh. cat. The 6th Monumentum Biennial, Mousse Publishing, Milan, ISBN 978-88-96501-62-7
Rudolf Steiner and Contemporary Art, exh. cat. DOX Centre for Contemporary Art, Prague, ISBN 978-80-87446-09
Louie Louie, published by François Aubart & Camille Pageard, École Supérieure des Beaux-Arts Tours
Angers Le Mans, École Nationale Supérieure d’Art de Bourges, ISBN 9782912483720
Based in Berlin, exh. cat., Berlin
Wir sind alle Astronauten. Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst, exh. cat. MARTA Herford, Bielefel, ISBN 978-3-86678-576-2
evn collection 2006-2011, coll. cat., ed. by EVN AG / evn collection, Verlag der Buchhandlung Walter König, Köln, ISBN 978-3-86335-032-1
Based in Berlin, exh. cat., www.basedinberlin.com, pb. by Kulturprojekte Berlin, Berlin
The Collection, exh. cat Museum Kunstpalast, Duesseldorf, published by modo, Freiburg, ISBN 978-3-86833-080-9
2010
15 Jahre Villa Aurora – Transatlantische Impulse, Stipendiaten 2005-2010, exh. cat. Villa Aurora e.V., Berlin, ISBN 978-3-00-033038-4
Mutiny seemed a probability, exh. cat. Fondazione Giuliani, Rome, published by Nero
Yesterday Will Be Better, exh. cat. Aargauer Kunsthaus, published by Madeleine Schuppli and Aargauer Kunsthaus, Aarau, Kerber Verlag, Bielefeld, ISBN 978-3-86678-409-3
Rudolf Steiner and Contemporary Art, exh. cat. Kunstmuseum Wolfsburg/Kunstmuseum Stuttgart, Markus Brüderlin, Ulrike Gross (Eds.), Dumont, Köln, ISBN 978-3-8321-9277-8
Bilder in Bewegung – Künstler & Video / Film 1958 – 2010, exh. cat. published by Barbara Engelbach, Museum Ludwig, Köln, Verlag der Buchhandlung Walter König, Köln, ISBN 978-3-86560-837-6
2009
The world is yours. Contemporary Art, exh. cat. Louisiana Museum of Modern Art, Louisiana, ISBN 978-87-91607-73-8
2008
50 Moons of Saturn, exh. cat., T2 Torino Triennale, Skira, ISBN 978-88-6130-267-9
Transatlantico, cat., SITEmagazine, contact@sitesite.de
into it, exh. cat., Kunstverein Hildesheim, Kehrer Verlag Heidelberg, ISBN 978-3-86828-004-3
Enter, exh. cat., published by Kunsthallen Brandts, ISBN 978-87-7766-058-0
ars viva 08/09 – Inszenierung / Mise en scène, exh. cat. Museum im Kulturspeicher Würzburg, Städtisches Museum Abteiberg, Möchengladbach Augarten Contemporary, Vienna Hatje Cantz Verlag, Ostfildern, ISBN 978-3-7757-2323-7
megastructure reloaded, exh. cat. European Art Projects, Hatje Cantz Verlag, Ostfildern, ISBN 978- 3-7757-2216-2
villa romana, Verlag für moderne Kunst Nürnberg, Nürnberg, ISBN 978-3-940748-21-8
Fusion // Confusion, exh. cat. Museum Folkwang, Verlag für moderne Kunst, Nürnberg ISBN 978-3-940748-05-8
2007
Neuer Konstruktivismus, exh. cat. Bielefelder Kunstverein, Kerber edition young arts, Bielefeld, ISBN 978-3-86678-083-5
Made in Germany, exh. cat. kestnergesellschaft, Kunstverein Hannover, Sprengel Museum Hannover, Hatje Cantz Verlag, Ostfildern, ISBN 978-3-7757-1985-8
2006
Overblik – 63 danske samtidskunstnere, Politikens Forlag, København, ISBN 87-567-80-86-9
Lichtkunst aus Kunstlicht/Light art from artificial light, exh. cat. ZKM Museum für Neue Kunst, Hatje Cantz, Ostfildern, ISBN 37-757-17-74-9
Fantom, exh. cat., Charlottenborg Udstillingsbygning, København, ISBN 87-88944-61-1
Räume für Kunst – Werke aus der Sammlung, exh. cat., Sammlung Grässlin, St. Georgen
Not a drop but a fall, exh. cat. Künstlerhaus Bremen, Revolver – Archiv für aktuelle Kunst, Frankfurt am Main, ISBN 3-86588-217-X Ny Dansk Kunst, Kopenhagens Kunstårbog 05/06, Kopenhagen Publishing, København, ISBN 978-87-91819-00-1
2005
The Imaginary Number, exh. folder, KW Institute for Contemporary Art, Berlin 2005
Shadow Play, exh. cat., Kunsthallen Brandts Klaedefabrik, Kehrer Verlag, Heidelberg, ISBN 3-936-636-41-9
Kunststudentinnen und Kunststudenten stellen aus 2005, exh. cat., Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn
2004
Things to come, exh. cat., Flaca, London
kurzdavordanach, exh. cat., Die Photographische Sammlung / SK Stiftung für Kultur, Revolver – Archiv für aktuelle Kunst, Frankfurt am Main, ISBN 3-86588-024-X
Portal 3, exh. cat. Kunsthalle Fridericianum, Kassel, ISBN 3-927015-42-3
Zeitzonen, exh. cat., Stadt Weingarten, Revolver – Archiv für aktuelle Kunst, Frankfurt am Main, ISBN 3-937577-42-4
2000
Young Danish Photography 2000, exh. cat., Fotografisk Center, København
PRESS
2014
Laura McLean-Ferris, on reading the Manual, Hand Signals, Art Monthly, September
Simon Dybbroe Møller, Considering Consumptions Economic, Erotic and Gastronomic, Sleek, Issue 41
Mit wem schlafen Sie, Simon Dybroe Møller?, Monopol, May
Gallery Weekend: Latex und Food-Photos, Monopol blog, 3 June
Berlin Gallery Beat: Five Must-See Shows in May, artnet news, 16 May
Niche fur Cee Cee: Die Top 5 Des Gallery Weekends 2014, nicheberlin.de, 2 May
2013
Simon Dybbroe Møller’s second exhibition, ArtDaily, 26 November 2013Simon Dybbroe Møller, Hello!, NeroSimon Dybbroe Møller. Männer und Moral. We Find Wildness, April 20132012
Joon Soh, Remember Me links memory to present, Korea Times, October 7, 2012
Alexander Forbes, Meeting Points: Denmark Reflects on the State of Berlin, artinfo.com, 24 July
Caroline Soyez-Petithomme, Simon Dybbroe Møller, Fondazione Giuliani,frieze.com, 11 April
Simon Dybbroe Møller at Fondazione Giuliani,Contemporary Art Daily, 15 January 2012
Simon Dybbroe Møller, Fondazione Giuliani,www.frieze.com, 11 April,
2011
Sound / Silence, Sleek Magazine, Ed. 30, Summer, 2011, p. 72/73
Ulrike Knöfel, Wowi-Center, Der Spiegel, Nr. 23, June 6, 2011, p. 108-111
Anna Pataczek, based in Berlin – Hamburger Bahnhof, Der Tagesspiegel, June 8, 2011, p. 21
2010
Dorothée Brill, Simon Dybbroe Møller: The Game of Rules, MAP #23, Autumn, p.62
Laura Li, Interview Simon Dybbroe Møller, kopenhagen.dk, 7 August http://www.kopenhagen.dk/interviews/interviews/interviews_2010/interview_simon_dybbroe_moeller
Jörg Heiser, Kosmisch komisch, Frankfurter Allgemeine Sonntagszeitung, 16 May, p. 24
Michael Wilson, Simon Dybbroe Møller, Harris Lieberman, Artforum, May
Aude Launay, La Métaphysique des Murs, 02 revue d’art contemporain, No. 53, Spring, p. 66
2009
Sven Nommensen, I avant-gardens bakspejl, Billedkunst, No. 2, October, p. 24-32
Simon Dybrroe Møller, Sleek, Autumn, p. 112
Marco Tagliafierro, The Young People Visiting Our Ruins See Nothing but a Style, July
Dominikus Müller, Probleme mit der Passform, artnet, 1 May, http://www.artnet.de/magazine/dossier/kunstmessen/gwb2009/gwb09.asp?picnum=18&print=1
Simon Dybbroe Møller”, http://arttattler.com/archivesimondybbroemoller.html, April/May,
Simon Dybbroe Møller setzt sich keine medialen Grenzen mehr, Art Kaleidoscope, April-June
Vielschichtig: Simon Dybbroe Møller, hannover life, April
Klaus Irler, Der Polarforscher und die Kunst, taz nord, 9/10 April
J.A., Simon Dybbroe Møller, Kunst-Bulletin, May, p. 53
Mirja Rosenau, Geisterstunde für Titanen, Art – Das Kunstmagazin, No. 4, April, p. 78
Sandra Danicke, Vom Bewerbungsgespräch ins Verhör, www.fr-online.de, 3 April
Simon Dybrroe Møller im Frankfurter Kunstverein, www.kunstmarkt.com, 30 March
Dein sind meine Installation, FAZ (Rhein-Main Zeitung), 30 March
Frankfurter Kunstverein, FAZ (Rhein-Main Zeitung), 27 March
Christoph Schütte, Dein sind mein Herz und meine Installationen, Frankfurter Allgemeine Zeitung, 27 March
A.P., Simon Dybbroe Møller im Kunstverein, Stadtkind, 27 March
Klaus Zimmer, Logische Paradoxien und phänomenale Wahrnehmung, Cellesche Zeitung, 19 March
Simon Dybbroe Møller im Kunstverein Hannover, http://www.kunstmarkt.com/pagesmag/kunst/_id177975-/news_detail.html?_q=, 16 March
Johanna Di Blasi, Auf die Röhre gucken, Hannoversche Allgemeine Zeitung, 13 March
O-Ton, Hannoversche Allgemeine Zeitung, 13 March
Evelyn Beyer, Tanz mit den Erwartungen, Neue Presse Hannover, 13 March
E.G., Erstaunliche Experimente, Schädelspalter, March
Mirja Rosenau, Baukasten Moderne, Art – Das Kunstmagazin, No. 3, March, p. 28-34
Ingeborg Wiensowski, Fleck an der Decke, Kultur Spiegel, March
Frank Boehm, Simon Dybbroe Møller, Contemporary Art, Milan, Frieze, Issue 120, February
Christoph Schütte, Mit Dan Flavin im Land des Lächelns, FAZ – Schauseiten, 16 February
2008
Francesca Pagliuca, Simon Dybbroe Møller: Not Nature Near, Art Review, Issue 28, DecemberArt Review, Issue 28, December
Francesca Pagliuca, Another chance,Mousse Magazine, No 15, 2008, p. 18-21
Gerrit Gohlke, Der Wachtraum der Utopie, http://www.artnet.de/magazine/reviews/gohlke/gohlke09-24-08.asp, 24 September
Kristoffer Horn, Anerkendelsens ro til fordybelse, http://www.kunsten.nu/artikler/artikel.php?anerkendelsens+ro, 24 September
Gunnar Luetzow, Der dystopische Turm, art-Das Kunstmagazin, www.artmagazin.de/ architektur/10683/megastructure_reloaded_berlin, 22 September
Nicola Kuhn, Wenn Architekten singen, Der Tagesspiegel, 22 September, p. 24
Nuit Banai, Simon Dybbroe Møller and Bernd Ribbeck, Here We Stand, Lost in Wonder, Time Out New York, Issue 667, 10-16 July
Lumi Tan, Simon Dybbroe Møller and Bernd Ribbeck, www.artforum.com/picks/id=20620&view=print, Artforum online, 24 June
Elaine O’Sullivan, Overtake: the reinterpretation of modern art, www.recirca.com/reviews/2007/texts/Overtake.shtml, 7 November
2007
Wojeiech Olejnik, Simon Dybbroe Møller, Canadian Art, Winter, p. 96
Eva Scharrer, Simon Dybbroe Møller, Artforum. Reviews, November, p. 383-384
Chris Sharp, Simon Dybbroe Møller,Flash Art, No 256, October, p. 130
Intellekt und Sinnlichkeit, Neuer Zürcher Zeitung, 21 Jul, p. 48
Andreas Schlaegel, Simon Dybbroe Møller, Spike Kunstmagazin, issue 12, p. 85-86
Simon Dybbroe Møller, Like Origami Gone Wrong, Lounge, No 26, Summer
Dominik Imhof, Origami und Soma-Würfel, Personalzytig, No 78, June
Matthias Engel, die Kunst des Zietierens, Berner Landbote, 21 June
Jens Hinrichsen, Elementares, Der Tagesspiegel, 9 June, p. 33
Heinerika Eggerman, Einer, der Vorbilder auf den Kopf stellt, Thuner Tagblatt, Saturday/Sunday, 2/3 June, p. 27
Heinerika Eggermann, Ein misslungenes Origami, Berliner Zeitung, Saturday/Sunday, 2/3 June
Magdalena Schindler, Gut verdaute Vergangenheit, Der Bund, 2 June
Christiane Meixner, Der Ruf der Wildnis, zitty, November, p. 120
Thomas Wagner, Wir installieren einen heißen Reifen, Frankfurter Allgemeine, 26 May,p. 21
Holger Liebs, Schwarzes Loch, Süddeutsche Zeitung, 24 May, p. 13
Jens Asthoff, Die Würfel sind gefallen, Texte zur Kunst, March, No 65, p. 184/185
Merete Sanderhoff, En patetisk konceptualist, Information, 5 February
Jennifer Allen, Für die Ewigkeit, Artforum, January, p. 266
2006
Raimar Stange, Nostalgie als Utopie, Kunst-Bulletin, December, p. 18-23
Susanne Hinrichs, Bild und Raum werden eins, Weser Kurier, No 44, 5 November
Rainer Beßling, Mit der Farbe im Rücken, Kreiszeitung Syke, 3 November
Raimar Stange, Simon Dybbroe Møller, Modern Painters, October
Ane Bülow, Art Statements – Art 37 Basel – Simon Dybbroe Møller, www.kopenhagen.dk/interviews/interviews/art_statements_art_37_basel_ simon_dybbroe_moeller/, 12 June
Gitte Schorn, Poetischer Umgang mit Kunst, Aachener Nachrichten, 25 May, p. 22
Sabrina Mierisc, Die Blicke sollen Traurigkeit vermitteln, Aachener Zeitung, 25 May, p. 22
Eva Scharrer, Irrational thoughts should be followed logically, Artforum. Critic’s Picks, January
Janneke de Vries, Simon Dybbroe Møller, artist Kunstmagazin, No 65, p. 18 – 21
2005
Henrikke Nielsen, Konstruierter Verfall, Umelec, March, p. 12-15
Sebastian Preuss, Die neue Liebe zur Geometrie, Monopol, No 3, June/July, p. 50-63
Dominic Eichler, Simon Dybbroe Møller, frieze, issue 89, March, p. 105
Solvej Helweg Ovesen, Simon Dybbroe Møller, Flash Art, No 241, March/April, p. 122
2004
Ferdinand Ahm Krag, Rock´n´Concept, Information, 1 December, p. 18-19
Katrin Wittneven, Simon Dybbroe Møller, Monopol, No 5, December/January, p. 50
Judith Borowski, Gut gemalt, Financial Times Deutschland, 24 September, p. 3
Ulrich Gutmair, Never Mind the Pollocks, Netzeitung.de, 21 September
Max Küng, Kauf der Woche: Kunst, Das Magazin / Tages-Anzeiger, No 24, p. 45
2003
Christoph Schütte, Offen für Projektionen, FAZ, 17 November, p. 45
2002
Nicolaus Schafhausen, Simon Dybbroe Møller, Artkaleidoscope, No 03/02, September, p. 6-7